From Dew, worn without occasion, to the singular commissions of Meridian, each collection is the same lapidary discipline at a different scale.
Small light, worn without occasion.
Dew is the house at its quietest: fine gold, dewdrop diamonds, and settings thin enough to forget you are wearing. Each stone is still cut to the Aureline cut, so the light it returns is out of all proportion to its weight.
One stone, cut to answer the room.
Radiance is built around the single stone. Every centre diamond is cut in-house to the full 71-facet Aureline cut and paired with its measured light signature, so the ring is chosen for how it behaves at arm's length, across a table or by lamplight, not for a figure on a certificate.
Birds and botanicals, set to take flight.
Aviary is the workshop's narrative work: swallows caught mid-turn, a nightjar's eye in emerald, feathers rendered in fine pavé so the metal disappears. Trembler settings let wings shiver as the wearer moves.
Light held in the metal alone.
Wave removes the stone entirely. Polished and brushed 18k gold is worked into fluid, weighted forms. A cuff that reads as a single swell; a collar that sits like water on the collarbone.
The house's singular commissions.
Meridian is high jewellery in the oldest sense: unique pieces, often years in the making, drawn around a single exceptional stone or a matched suite. A line necklace of graduated diamonds; chandelier earrings rebuilt from old-cut stones; a cushion of just over four carats.
